Theatre Of The Absurd And The Homecoming English Literature Essay

Theatre Of The Absurd And The Homecoming English Literature Essay Firstly, to substantially answer the question above, it is indeed imperative to present a definition of absurdist theatre by which to draw comparisons from, to successfully evaluate Harold Pinters The Homecoming as a representative example. It should initially be brought to the attention of the reader that absurdist theatre in effect does not present a typical definition or strict rules or guidelines from which to conform, for example, a piece of play script to. However, there is an interpretation that has been most famously noted by Martin Esslin in his Theatre of the Absurd, from which he puts this term into some context of understanding, influenced from the French philosopher Albert Camus, in his Myth of Sisyphus, written in 1942. (Culik 2000). For example, Esslin in his Theatre of the Absurd comments on the use of the word Absurd describing its original meaning as out of harmony in a musical context. (Worthen 2004 p 907 -10) However, he hones in on Camus use of the word, which is used in the understanding of absurdist theatre that has a completely different notion behind it. For example, Ionesco defines this notion as, Absurd is that which is devoid of purpose Cut off from his religious, metaphysical, and transcende ntal roots, man is lost; all his actions become senseless, absurd, useless. (Worthen 2004 p 907 -10) Thus, the most central theme to Absurdist Theatre is awareness of this lack of purpose in all we do [and how this] produces a state of metaphysical anguish. (Ray 2005) Furthermore, according to the Oxford English Dictionary, the Theatre of the Absurd; the term essentially coined by Martin Esslin in his critical work, as mentioned above; defines the understanding that The Theatre of the Absurd strives to express its sense of senselessness of the human condition and the inadequacy of the rational approach by the open abandonment of rational devices and discursive thought. (OED 2010) Esslin continues to comment, in his study of Theatre of the Absurd, on the disorientating quality of [the] plays (Worthen 2004 p 907 -10) that are commonly grouped into the genre of absurd, and how so many established criticshave condemned the [absurdist plays] for [their] lack of plot, development, characterisation, suspense or plain common sense. (Worthen 2004 p 907 -10) Specifically Esslin uses Samuel Becketts Waiting for Godot as an example to demonstrate that those in society that are unsophisticated enough t o come to the theatre without any preconceived notions and ready-made expectations (Worthen 2004 p 907 -10) about a performance were thus able to look past the nonsense or mystification (Worthen 2004 p 907 -10) of these types of plays and find meaning and understanding in them, rather than their seemingly impertinent and outrageous imposture (Worthen 2004 p 907 -10). In terms of language, the Theatre of the Absurd, tends toward[s] a radical devaluation of language (Worthen 2004 p 907 -10), in other words reducing the value of language that logically, plays are so heavily reliant on. However, this is not to say that language is completely disregarded, because in fact it is not, its function is more poignantly used to contradict the action of the character voicing the lines. In terms of its historical context, Theatre of the Absurd has emanated from the avant-garde movements in art from the period of the 1920s 30s, originating from Paris. Yet, probably more central to its rise was the traumatic horror experienced from World War II. Furthermore, around this time the beginning of the loss of religious significance and dependence in peoples lives highlighted the opposite of purpose and meaning to life, alongside the resonating realisation of the uncertainty of life. As a consequence the Theatre of the Absurd aimed to present an anti- theatre, to reflect as the world was beginning to tear apart, with its morals, conventions and values, so too must theatre evolve out of its traditionalism and become surreal, illogical, conflictless and plotless. (Culik 2000). On first appearances Pinters The Homecoming, seems to fit the theory of the Theatre of the Absurd. It initially presents the reader with an absurd setting, whereby the back wall has been removed. The stage action is juxtaposed against the ridiculous language that seems to be discursive the character Max, seems to pass aimlessly between subject after subject. It almost satirises how language is the key to communication. However, the dialogue seems ridiculous with the stage action contradicting the words that are said by the characters. For example, Max says to Lenny: Dont you talk to me like that. Im warning you (Worthen 2004 p. 764) the understanding of the language implies Max aggressive attitude and embodiment, yet the stage action suggest a complete juxtaposition (He sits in large arm chair) (Worthen 2004 p. 764). Furthermore, the absurd dialogue exchanged by the principle protagonist Max seems to be shocking and the ability to comprehend impossible, thus adhering to the illogical sense instilled in absurdist language. He talks about his wife in a negative and oppressive tone, it made me sick just to look at her rotten stinking face, she wasnt such a bad bitch. (Worthen 2004 p.764) Lennys reaction seems to be completely oblivious to his fathers statement about his mother. Instead of the words he hears, its as if he hears irritating noise being expelled from Maxs mouth and wants him to be quiet. To add to the absurdity of the two characters we are presented with Max talks about himself in a manner that is bizarre, your lousy filthy father (Worthen 2004 p.764). The expression of this senselessness and repetitive discursive trend throughout the whole play creates an incomprehensible illusion that understandably baffles its audiences and readers. More so, in terms of language, the play adheres to the illogical trend absurdist theatre expresses, through the representation of the characters Teddy and Ruth. They are married, yet Teddy is not fazed in the slightest as his brothers start to have sexual relations with his wife. For example, Lenny says to Joey in front of Teddy, You didnt get all the way and youve had her up there for two hours! (Worthen 2004 p782). This ludicrous behaviour stimulates an even more baffling realisation for readers and audiences, as they begin to understand the senselessness of the human condition that Absurdist theatre seeks to express. Furthermore, the incomprehensible expression of language strengthens even more so towards the end of the play. This is where we see the family, excluding Teddy; gravitate towards Teddys wife Ruth, wanting her to stay in the household. Their objective for her is to turn her into a whore. This may be an act to replace the previous matriarch of the family, Jessie, who wa s both a mother and a whore. Teddys distinct separation from the meaning of the dialogue depicts the open abandonment of rational devices, as he decides that it is okay to leave his wife there. However, in opposition to the statement above, it is easy to see that Pinters The homecoming does reflect the trends of Absurdist theatre, yet something more new and exciting is emerging that does not just restrict itself to this category/genre. For example, throughout the play we can see the heavy mix of influence from the realist and absurdist genres that dominate the majority of the play. This juxtaposition reflected in the setting, exposes side by side everyday domesticity with a subtle undercurrent of animalistic violence (Gin 2008). Francis Grin, in his book Pinters Stage, A New Genre argues that if you read Pinters play without the already existent framework (Gin 2008) of realist and absurdist theatre, then you will discover the text for what it truly is, an entirely new kind of dramaturgy (Gin 2008). Gin continues to argue that Pinters play needs to be looked through an independent framework (Gin 2008)to discover the unique Pinteresque style of theatre e (Gin 2008). In addition Gins unique insight into this genre, and more specifically Pinters The Homecoming, allows a more comprehensive understanding to be gained from the seemingly incomprehensible read. For example, Gin clearly sees that Pinter creates a rhythm and tempo (Gin 2008) which mimics the strange patterns of real life dialogue, but allow[ing] the terrorto hit home as the spectator fills the Pinteresque pause with their own subjective imagination. (Gin 2008). It is true that the play is fragmented with what seems to be a burdenful amount of pauses. This in itself does not constitute the play being placed into an absurdist category, but more so into Pinters very own category. As (Bradshaw 2004) states, The characters speech, hesitations, and pauses reveal not only their own alienation and the difficulties they have in communicating but also the many layers of meaning that can be contained in even the most innocuous statements. (Bradshaw 2004) Theatre Critic Molly Flatt, also has an inspiring perspective on Pinters play that suggests there is much more to the play than just containing it to two genres of theatre form (absurdist/realist). She describes it as a dark, funny and recognizable portrait of 1970s masculinity (Flatt 2008) until another character Teddy the prodigal son (Flatt 2008) returns with his wife Ruth, whom disrupts the stage action from awkward to disconcertingly bizarre. (Flatt 2008) Indeed this is reflective of the theatre of the absurd with its naturalistic setting and dialogue (Flatt 2008) infused with the undercurrent of dim, bleak [domestic] horror (Flatt 2008). However its surrealism allows us to [capture] what is great and wacky and wrong and sincere that we understand what is human. (Flatt 2008) As Pinter himself states that there are many truths that seek to challenge, recoil, reflect, ignore, tease each other [and so on] (Flatt 2008) yet we never truly hold truth in our hands for more than a momen t. (Flatt 2008) In conclusion I think that it is clear Pinter is heavily influenced by the avant-garde and absurdist movements, yet his brilliance in making such weird and wonderful plays does not just lie in these genres, but in something that he has truly made unique and as Gin comments completely created an entirely new dramaturgy. Yes it is clear to see the influences of surrealism, realism and absurdist theatre in his work, especially in The Homecoming, but to what extent it is a representative example of Absurdist Theatre, would be to oversimplify Pinters work. Therefore, after studying the text it would be indecent not to acknowledge the influence of absurdist theatre, but also not to acknowledge Pinters the homecoming is ambivalent in [its] plot, presentation of characterbut [are also] works of undeniable power and originality. (Bradshaw 2004).

Internet Gambling Essay

The technoculture related topic that I am going to explore is the phenomenon of Internet gambling. With the emergence and explosion of gambling on television such as the World Series of Poker of ESPN or The World Poker Tour on the Travel Channel, online gaming has quickly become a major player in the technoculture of contemporary society. I feel it is important to explore this issue because of American society’s fascination and obsession with gambling. Gambling can and has become a very serious and damaging activity to many people in this country. According to CNN. com, studies have shown that people who gamble on the Internet tend to have more serious addictions than people who wager through more traditional venues. Through my research, I hope to further explore why Internet gambling has the potential to be more dangerous than traditional casinos and how younger generations of Americans and the government are responding to this ever-growing phenomenon. Literature Review The research I discovered on Internet gambling is fairly recent and comprehensive. Since online gaming is a reasonably new trend, the material written on the matter was rather current. Furthermore, there was a substantial amount of information within these three sources. It was evident that the three authors conducted high-quality research, and it showed with the use of graphs, charts, and case studies. Also, the three sources had a very similar outlook on the present and future situation of online gaming. With that being said, given that online gaming is at the peak of its existence, it is imperative that further exploration and examination within the subject be carried out. Because of the instant access one has to a gambling venue and the privacy factor of the Internet, online gaming has become a risky undertaking for many. According to David Schwartz (2003), â€Å"Internet gambling presents new problems for individuals and society† (p. 214). Instead of driving to an actual physical casino, problem gamblers can enjoy betting in the comforts of their own home. At home, they are not monitored by other gamblers and/or casino personnel which results in the ability to set their own limit. The Internet also allows the gambler to maintain a level of privacy not found in real casinos. If there are no friends or family around to supervise, then the gambler can engage in irresponsible betting without any time constraints. Finally, unlike real casinos, Internet casinos are readily available at the click of a button. If an online gaming organization will not accept one’s money, one can bet that there are thousands of others that will be happy to take one’s funds. The demographics of gambling are interesting to investigate within the subject. According to Rachel Volberg (2001), â€Å"adults ages 18 to 29 are substantially more likely than older adults to have gambled privately† (p. 34). Young adults are also more likely to gamble for excitement compared to older adults (Volberg, 2001). This is not a difficult concept to grasp. Normally, young adults have a less appreciative concept of money because they do not have as great of a responsibility as older people in regards to providing for family, paying bills, and spending money on expenses that are traditionally not familiar to a younger person. Furthermore, young people are usually unsupervised, especially in the collegiate demographic. Without the approval from mommy and daddy, young adults all across America are enjoying the financial freedom to do whatever they want with the money they have. In addition, according to Thomas Barker and Marjie Britz (2000), â€Å"many college students have deep pockets ? Mom and Dad’s† (p. 139). With this new found autonomy and fiscal assistance from parents, college kids are engaging in online gaming for fun and excitement. However, if left untreated and unsupervised, the fun and excitement can soon turn into a dangerous addiction with serious consequences and ramifications. With the possibility of Internet gambling becoming a serious problem, the government has been asked to step in and legislate the situation. According to Volberg (2001), â€Å"The fact that Internet gambling is conducted in a networked, data-intensive environment offers opportunities for regulation and oversight in several critical areas, including licensure, testing for game integrity and site security, auditing and oversight, taxation, and consumer protection† (p 97). Basically, Volberg is supporting a regulatory system that will be able to monitor the activities not only of the individual gambler, but of the gambling website as well. If the government actually does get involved, certain problems can be remedied. For example, every transaction made by a player can be closely followed and tracked. If a player indicates behaviors that suggest irresponsible decision-making, the player can be flagged and possibly suspended from a gambling website. However, all in all, Internet gambling will most likely always have its problems. Just like alcohols are with minors, people will get their hands on something they probably should not be touching. Internet gambling is an intensifying activity in American culture. With all the limitless possibility and endless potential of the Internet, online gaming will continue to be a major player in the world of technoculture and the information society. Nevertheless, what is important within this public sphere is to be able to responsibly deal with the world of Internet casinos. We need to come to a positive middle ground between the two sides of the spectrum; the fun and excitement of gambling and the spiraling addiction. Current Trends Like anything in life, when you create stimulus you are going to yield a response. In regards to online gaming, the stimulus that was created was the buzz generated by the constant bombardment of gambling programs on television. ESPN annually televises The World Series of Poker during the summer in which thousands of people descend upon Las Vegas to gamble in all types of events including poker, blackjack, craps, etc†¦ Many times they tell the story of some â€Å"average Joe† who enters a tournament and eventually ends up winning thousands of dollars. This false sense of hope has grabbed millions of Americans into thinking that they too, have the ability to win a substantial amount of money. The response to this stimulus has been the emergence of online casinos. However, instead of people winning money, crime has actually been the fallout of this risky behavior. According to ABCnews. com (2006), a Lehigh University student by the name of Greg Hogan Jr. attempted to rob a local bank in order to pay off his gambling debts. He was eventually caught and pleaded guilty to the offense and now faces up to three years in jail. During his interview with Good Morning America, Mr. Hogan blamed his addiction to online gambling websites for his setback, and cautioned the American public to the dangerous power of Internet gaming. In addition to his story, according to ABCnews. com (2006), â€Å"2. 9 million Americans between the ages of fourteen and twenty-two gamble with cards online at least once a week, and fifty percent of male college students and twenty-six percent of female college students gamble on cards at least once a month. † To combat this growing epidemic, the House of Representatives took a proactive stance on the matter by passing legislation that would make it illegal to use credit cards on gambling websites and make it significantly more difficult to access these sites. Whether it gets passed by the Senate and the Executive Branch is another matter, however, at least the government is recognizing the problem sooner rather than later. In conjunction with this theory of crime, many Internet scammers have found opportunity within this growing trend. An article on ABCnews. com (2006) describes an elaborate scheme where bookies took sports bets through an Internet gambling site. The insecurity of the website allowed these thieves to launder millions of dollars and corrupt the free enterprise system of the Internet gaming business. Fortunately, these criminals were caught. Nevertheless, it makes you wonder how frequent this sort of thing exists in the online world. Some have argued, nonetheless, that Internet gambling has its benefits. According to Tom W. Bell (1998), the inclusion of the Internet has fostered competition to a business that has long enjoyed the sanctuary of restraining licensing practices. Rather than having to fly out to isolated casinos in Vegas or Atlantic City, you can enjoy the experience of gambling in the comforts of your own home. Bell (1998) also supports the belief that gambling in your home allows an individual to escape the traps found in real, physical casinos. A person does not have to be surrounded in a windowless structure while being harassed by cocktail waitresses carrying a tray of free booze. Because of online gaming, the business world has more free enterprise and has given the individual a sense of security not found in traditional locales. In terms of my own personal experience, I actually signed up to one of these gambling websites to investigate how they attract and seize the public. The website was www. gambling. com and in order to register, all I had to give them was a current e-mail address. I found it sort of comforting to know that they pledged that they would not pass any of my information on to any other company and/or website because I did not want my stagweb to become flooded with junkmail from these websites. Immediately after becoming a member, I was granted 400 Ludos. I had no clue as to what Ludos were, but after some probing, I discovered that they were basically a form of Internet currency. For every twenty five Ludos, I received a dollar. That equals sixteen dollars. But, here’s the catch. For me to actually receive the Ludos and use them to gamble, I would have to give them my credit card information and pay a montly fee which was actually just about as expensive as the Ludos themselves. Brilliant. Moreover, the website contained links in which I could learn how to play games by reading tutorials, and then, actually play those games. I conducted a little experiment of my own to see how many times I won during one of the games. Out of twenty-five spins on one of the slot machines, I ended up winning sixteen times. That is a sixty-four percent average of winning. Now, anyone who understands anything about gambling knows that the absolute best percentage of winning is fifty percent. However, most of the games are not even close to that percentage. My suspicion leads me to believe that these websites give a false sense of hope to their members. If they succeed in tempting people to try these games, and these games yield a winning percentage better than fifty percent, more often than not, someone is going to believe that they actually have a great chance of making money. It actually is a genius scheme to lure in the public. Make them believe. Once they have accomplished that, these websites have them right where they want them. Conclusions The effects of online gaming are now becoming more clear and transparent to technoculture and the information society. It is apparent that online gaming has become a microcosm of the digital divide that exists within society. According to one of our readings during the semester written by Oscar H. Gandy, Jr. (2002), the differences that make up the digital divide are more than just social constructions. The actual construction is molded due to the new systems of communication that have surfaced within the last twenty years. In relation to online gaming, Internet gaming websites are now competing to display the flashiest, most hypertextual sites in order to attract customers. Due to this competition, better bandwidth and enhanced software will result, thus highlighting the digital divide. Data mining and this notion of surveillance has also entered the conversation regarding online gaming. Because an individual has to present private information about one’s self on a website to facilitate gambling, the possibility of gambling website selling personal information in return for financial gain is a distinct possibility. As aforementioned, the site I visited before pledged that they did not engage in data mining. Yet, this seems to suggest that other sites do exercise this right which effectively gives companies useful information about yourself. Moreover, whenever someone uses the Internet, especially in a situation where one willingly submits personal information such as credit card and phone numbers, the possibility of third party surveillance is always present. It really conveys the authentic risks one undertakes when participating in the latest innovation. Another theory that online gaming illustrates is the constant tension between structure and agency. The government represents structure. As a stable entity, it looks to control the path of Internet gambling by establishing rules and regulations in hopes of creating some order. Internet gambling, on the other hand, is the perfect example of agency. Gambling, in and of itself, is the exact definition of what agency represents: the ability of uncertainty and chaos to influence the parameters through which we live. However, as much as these two concepts seem unrelated, there is an interdependence that spurs the creation of new technologies, not only in the world of online gaming, but throughout the technological landscape. Annotated List of Relevant URLS 1. http://www. playwinningpoker. com/resources/sites2. html : This website is a resource for gamblers.It allows the user to learn new games, find new games, and contact certain people involved with gambling. 2. http://www. gambling. com/best/online-gambling-sites. htm : This website directs users to the best gambling websites on the Internet. It has a list on the left hand side with about sixty different links to other gambling sites. 3. http://www. out-law. com/page-6655 : This website is about illegal activities on the Internet. It contains a few articles on illegal mishaps that have occurred through Internet gambling websites. 4. http://www. becker-posner-blog.com/archives/2006/08/on_internet_gam. html : Blog that contains articles about Internet gambling. Website constructed by Gary Becker and Richard Posner. 5. http://www. cardplayer. com/blog/entry/179 : Blog that is pro-Internet gambling. Players write their feelings on why they think Internet casinos are fun and exciting. 6. http://www. istoppedgambling. com/ : Website founded to help people with gambling problems. Includes personal stories, how-to instructions, and negative articles about gambling. 7. http://www. nomoregambling. com/ : Website founded to help people with Internet gambling problems. Has a hotline and other medias to help combat irresponsible Internet betting. Works Cited Barker, Thomas & Britz, Marjie (2000). Jokers Wild: Legalized Gambling in the Twenty-first Century. Westport, CT: Greenwood Publishing Group, Inc. Schwartz G. , David (2003). Suburban Xanadu: The Casino Resort on the Las Vegas Strip and Beyond. New York, NY: Taylor and Francis Books, Inc. Volberg A. , Rachel (2001). When the Chips Are Down: Problem Gambling in America. New York, NY: The Century Foundation, Inc. http://www. cato. org/testimony/ct-tb052198. html.

The Yellow Wallpaper, By William Faulkner - 921 Words

In a struggle to retain what they believe is tangible, two very different, yet so analogous women are introduced in the diverse domains produced by two authors. The first, Charlotte Gilman’s â€Å"The Yellow Wallpaper,† where the narrator is a woman from an upper middle class upbringing who’s taken to a house by her husband for their summer vacation where she begins to feel confined and the later, William Faulkner’s â€Å"A Rose for Emily,† where Emily is the daughter of an influential man who does become confined to her house after her father passes away. Although their stories are written by two very different people, the women share an eerie resemblance as they begin to fall into an insanity driven by fixation. To explore and understand these connections, one must look into themes and symbolisms to further magnify the foundation of their stories. The initial similarity between both women is their state of being alone in love. After all, the narra tor in â€Å"The Yellow Wallpaper† finds no comfort in her husband, although she attempts to convince herself that he loves her, she also finds herself wishing him away stating â€Å"I am glad my case is not serious!† as it would lead John to stay all night with her confining her even more that she already feels that she is (958). Alternately, the reason Emily from â€Å"A Rose for Emily† is left alone in her house is due to the fact that her sweetheart had abandoned her after her father had died, which contributed to her state of isolation (715). ItShow MoreRelatedWilliam Faulkner s A Rose For Emily And The Yellow Wallpaper1721 Words   |  7 Pagesfamily’s descent is traced back through the male’s line. Although patriarchy can still be found in today’s day and age, it is a subject that is argued about often. Both William Faulkner and Charlotte Perkins Gilman address this issue in both their stories â€Å"A Rose for Emily† and â₠¬Å"The Yellow Wallpaper†, respectively. 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Although both characters are unable to grasp reality, they both expressRead MoreThe Yellow Wallpaper, And William Faulkner s A Rose For Emily1340 Words   |  6 Pagesinternal struggle women goes through are Charlotte Perkins Gilman’s â€Å"The Yellow Wallpaper,† and William Faulkner’s â€Å"A Rose for Emily.† The two protagonist from these short stories, the unnamed narrator and Emily, display symptoms of â€Å"hysteria† because they experience conflicts between their individual desires and social influences that either repress their feelings or displace their feelings. The unnamed narrator in â€Å"The Yellow Wallpaper† symbolizes the majority of women by showing what they endured inRead MoreAnalysis of A Rose for Emily, by William Faulkner and The Yellow Wallpaper, by Charlotte Perkins Gilman2621 Words   |  11 Pages In the short stories â€Å"A Rose for Emily† written by William Faulkner and â€Å"The Yellow Wallpaper†Ã¢â‚¬  written by Charlotte Perkins Gilman, the protagonists experience mental illness, loneliness, feelings of being in control of their lives, and feelings of being insane. Both main characters struggle against male domination and control. The two stories take place in the late 1800’s - early 1900’s, a time where men’s place in society was superior to that of women. Each story was written from a differentRead MoreWilliam Faulkner s A Rose For Emily And Charlotte Perkins Gilman s The Yellow Wallpaper890 Words   |  4 Pageswomen cannot have their autonomy. 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The men believedRead MoreIsolation in â€Å"a Rose for Emily† and â€Å"the Yellow Wallpaper†1222 Words   |  5 Pagesâ€Å"A Rose for Emily† by William Faulkner and â€Å"The Yellow Wallpaper † by Charlotte Perkins Gilman are two well written short stories that entail both similarities and differences. Both short stories were written in the late 1800’s early 1900’s and depict the era when women were viewed less important than men. The protagonist in each story is a woman, who is confined in solitary due to the men in their lives. The narrator in â€Å"A Rose for Emily† is the mutual voice of the townspeople of Jefferson, whileRead MoreUses of the Conventions of the Gothic Story in The Yellow Wallpaper and A Rose for Emily1467 Words   |  6 PagesGothic story was an extremely popular form of literature, and it has been a major genre since then. 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Nursing Care Delivery Model Team Nursing Essay - 844 Words

Nursing Care Delivery Model: Team Nursing I. Select Nursing Care Delivery Model from the literature: Team nursing as a care delivery model was developed in New York, NY in 1950s. This nursing care model consists of a group of nurses who work alongside as a team to provide patients’ care. The team shares responsibility and collaborates efficiently. The team leader is usually an RN (King, 2013). Describe Nursing Care Delivery Model: a) What personnel are utilized? In team nursing the care of the patient divided between team members- licensed and unlicensed personnel whose work is coordinated by the team leader, most of the times- RN appointed by the charge nurse. b) What are their roles/responsibilities? In team nursing the responsibilities usually divided in between the personnel, so that everyone’s has its own role in patient’s care. For example, RN might be assigned for patients’ assessments, LPN assigned for certain medication administration and nursing assistant helps with care/bathing and feeding patients. All this done under supervision of a team leader another RN (Currentnursing.com, 2015). c) How is the work coordinated? The appointed team leader is coordinating the flow of the work done. The team leader gives directions and instructions in details to team members, he/she is also schedules the care and assigns the tasks in between the team members. d) What are the reporting relationship? The team leader utilizes different methods to communicate with each teamShow MoreRelatedIn Recent Nursing Practice, There Are Several Different1707 Words   |  7 Pagesrecent nursing practice, there are several different nursing care delivery models being used in various facilities. Some of the models include the following: case method (total patient care); functional nursing; team nursing; primary nursing including hybrid forms; and nursing case management (Yoder-Wise, 2015). The goal and purpose of nursing care delivery systems is to serve as a framework for assigning workload (patients) to staff (nurses). Care delivery models are pivotal in nursing practiceRead MoreLiterature Review.. According To The Canadian Nurses Association,1696 Words   |  7 Pagesexist on the effectiveness of nursing care delivery models across the continuum of care (2010). A literature review consisting of empirical and theoretical research was conducted to gain insight into three specific models of nu rsing care: primary nursing, total patient care nursing, and team nursing. The literature pertaining to each model will be explored first, followed by a comparison of the models themselves. Primary (SAM) The two central premises of Primary Nursing are relationship buildingRead MoreNursing Delivery Systems : Nursing Care Delivery System1517 Words   |  7 PagesNursing care delivery system describes how organizations deliver care to their patients. Any care delivery system is defined by these elements; Nurse/patient relationship and decision-making, work allocation and/or patient assignments, communication between members of the health care team, and management of the unit environment (Koloroutis. 2004.) In other words, nursing care delivery model defines how work is organized, who is going to perform what tasks, who is responsible for nursing care andRead MoreThe Historical Reshaping Of Primary Nursing As A Type Care Model1325 Words   |  6 Pagesbackdrop of nursing, various types of delivery care model have been utilized and contributed to the reshaping of more current models. Primary nursing model is one of which that has been generally used for a long time and contributed signi ficantly to the nursing profession. It has also held incredible significance in the molding of the many newer delivery care models. Primary nursing is a type care model that has been generally utilized all through the nursing profession by nurses, it is a care model in whichRead MoreNursing Delivery Systems : Nursing Care Delivery System Essay1011 Words   |  5 PagesNursing Care Delivery Systems Prior to adapting a nursing care delivery system, a healthcare organization would need to consider the fallowing factors, e.g., the type of health care setting, the organizational structure and resources, management staffing, supplies, physical layout, and the patients’ needs. However, no nursing care delivery system is written on stone. Thus, at any given time, a hospital can modify or adapt a new care model to align care in response to patient needs. Total PatientRead MoreFunctional Care Delivery Model Of Nursing1277 Words   |  6 PagesFunctional Care Delivery Model Care delivery Model in Nursing is the managerial structure under which nursing care is delivered to patients ( ). There are several model of delivering nursing care available to health care institutions. Examples of care delivery models are †¢ Case method model, in which one nurse provides complete care for a patent during an assigned shift. †¢ Functional model, where care is delivered by many caregivers each performingRead MoreNursing Models : Nursing Model1678 Words   |  7 PagesNursing Care Models Nursing care is delivered using a multitude of different directional models and the express means of delivery can vary significantly from one healthcare system to another (Seago, 2012). One of the most basic explanations of a model describes it as a replica representing reality or an uncomplicated way to describe a compound and intricate incident (UWEL, 2017). According to McKenna (1997), nursing models function as conceptual tools that can help to bring clarity and proportionRead MoreNursing Care Model Delivery System1567 Words   |  7 Pagesthe nursing care model delivery system, that is used in my practice setting. I currently work in a busy emergency department, work flow and patient census drive the delivery of care, I will discuss in this paper how the use of the team nursing delivery model is used. Team nursing is the essential care model in emergency room care, the nurse and other healthcare providers work as team to provide positive patient outcomes. We use all disciples in the delivery of care, weRead MoreEvolving Practice Of Nursing And Patient Care Delivery Models977 Words   |  4 PagesEvolving Practice of Nursing and Patient Care Delivery Models. Speech To my fellow nurses. You are welcome to our professional nurse evolution summit. The United health care system is changing with the nursing profession. Health care cost has doubled, if not tripled in the recent years. The American population is ageing and diseases are becoming more complex. The Patient Protection and Affordable Care Act (PPACA) is one thing that will lead to change worldwide. With signing the PPACA into law, approximatelyRead MoreEvolving Practice of Nursing and Patient Care Delivery Models682 Words   |  3 PagesEvolving Practice of Nursing and Patient Care Delivery Models: Healthcare is one of the greatest growing professions across the globe because of the increase in population, rising healthcare costs, and increase in the demand for nurses. As the United States continues to focus on restructuring its health care delivery system, the practice of nursing and its professionals will continue to play an important role. As a result, there are huge expectations that more nursing jobs will become available